{"id":2162,"date":"2022-05-02T10:42:41","date_gmt":"2022-05-02T10:42:41","guid":{"rendered":"http:\/\/calafat.cat\/?page_id=2162"},"modified":"2022-05-12T14:58:05","modified_gmt":"2022-05-12T14:58:05","slug":"2008-3","status":"publish","type":"page","link":"https:\/\/calafat.cat\/index.php\/2008-3\/","title":{"rendered":"2008"},"content":{"rendered":"\n<p><a href=\"http:\/\/calafat.cat\/index.php\/el-buit-com-a-estimul\/\" data-type=\"page\" data-id=\"1441\">El buit com a est\u00edmul<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"50\" height=\"50\" src=\"http:\/\/calafat.cat\/wp-content\/uploads\/2022\/05\/40.jpeg\" alt=\"\" class=\"wp-image-2240\"\/><\/figure>\n\n\n\n<p>Francesc Bod\u00ed despr\u00e9s d\u2019<em>Havanera<\/em>, una novel\u00b7la plet\u00f2rica de literatura i aventures, aterra en el present.\u00a0<em>El soroll de la resta<\/em>\u00a0ens acosta a \u00c0lex Ballester, un publicitari d\u2019\u00e8xit. Un<\/p>\n\n\n\n<p><br><a href=\"http:\/\/calafat.cat\/index.php\/entrevista-a-manuel-molins-la-di-versio-ens-proporciona-una-altra-versio-de-les-coses\/\" data-type=\"page\" data-id=\"1445\">Entrevista a Manuel Molins: \u201cLa di-versi\u00f3 ens proporciona una altra versi\u00f3 de les coses\u201d<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"50\" height=\"37\" src=\"http:\/\/calafat.cat\/wp-content\/uploads\/2022\/05\/41.jpeg\" alt=\"\" class=\"wp-image-2241\"\/><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p>A prop\u00f2sit del simposi sobre l&#8217;obra de Manuel Molins, entrevistem l&#8217;autor amb l&#8217;objectiu que ens parle directament sobre el seu univers teatral, sobre l&#8217;evoluci\u00f3 de la seua obra, i que ens comente la relaci\u00f3 que mant\u00e9 amb els distints corrents del teatre contemporani.<\/p>\n\n\n\n<p><a href=\"http:\/\/calafat.cat\/index.php\/fi-i-principi\/\" data-type=\"page\" data-id=\"1447\">Fi i principi<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"50\" height=\"42\" src=\"http:\/\/calafat.cat\/wp-content\/uploads\/2022\/05\/42.jpeg\" alt=\"\" class=\"wp-image-2242\"\/><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p>Qu\u00e8 pot passar si una persona es desperta en un creuer i, encara que reconeix les coses, se li han volatilitzat els records personals? Doncs b\u00e9, Ignasi Mora imagina una possibilitat. El protagonista ha de bregar, d\u2019entrada, amb el qui t\u00e9 al davant, a l\u2019espill. S\u2019hi ha d\u2019acostumar.<\/p>\n\n\n\n<p><a href=\"http:\/\/calafat.cat\/index.php\/jugar-amb-versos-2\/\" data-type=\"page\" data-id=\"1998\">Jugar amb versos<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"50\" height=\"50\" src=\"http:\/\/calafat.cat\/wp-content\/uploads\/2022\/05\/43.jpeg\" alt=\"\" class=\"wp-image-2243\"\/><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p>Marc Granell \u00e9s un dels poetes m\u00e9s importants i coherents del Pa\u00eds Valenci\u00e0. Per al nostre autor la l\u00edrica no \u00e9s nom\u00e9s un joc est\u00e8tic; va lligada, m\u00e9s aviat, a una actitud de defensa dels valors fonamentals, i precisament la paraula n\u2019\u00e9s un de ben rellevant.<\/p>\n\n\n\n<p><a href=\"http:\/\/calafat.cat\/index.php\/la-traduccio-com-una-bella-art\/\" data-type=\"page\" data-id=\"1451\">La traducci\u00f3 com una bella art<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"50\" height=\"27\" src=\"http:\/\/calafat.cat\/wp-content\/uploads\/2022\/05\/44.jpeg\" alt=\"\" class=\"wp-image-2244\"\/><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p>La traducci\u00f3 \u00e9s un pulm\u00f3 per a tota literatura, perqu\u00e8 suposa la incorporaci\u00f3 d\u2019altres experi\u00e8ncies, altres mirades, altres sensibilitats i altres llenguatges. Aquesta \u00e9s la ra\u00f3, pelat i ras, per la qual en la nostra cultura hi ha hagut una obsessi\u00f3 per convertir en nostra la veu d\u2019altres.<\/p>\n\n\n\n<p><a href=\"http:\/\/calafat.cat\/index.php\/la-vida-com-a-literatura\/\" data-type=\"page\" data-id=\"1453\">La vida com a literatura<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"50\" height=\"38\" src=\"http:\/\/calafat.cat\/wp-content\/uploads\/2022\/05\/45.jpeg\" alt=\"\" class=\"wp-image-2245\"\/><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p>Amb aquest t\u00edtol que estraf\u00e0 un altre de John Dewey \u2013l\u2019art com a experi\u00e8ncia\u2013, es vol assenyalar que una bona part de l\u2019obra de Josep Piera germina des de la seua experi\u00e8ncia personal.<\/p>\n\n\n\n<p><a href=\"http:\/\/calafat.cat\/index.php\/rabia-en-la-poesia-mes-jove\/\" data-type=\"page\" data-id=\"1455\">R\u00e0bia en la poesia m\u00e9s jove<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"50\" height=\"35\" src=\"http:\/\/calafat.cat\/wp-content\/uploads\/2022\/05\/46.jpeg\" alt=\"\" class=\"wp-image-2246\"\/><\/figure>\n\n\n\n<p>Rub\u00e9n Luz\u00f3n (Val\u00e8ncia, 1982) proposa amb fermesa fer-se un espai en l\u2019\u00e0mbit de la poesia en catal\u00e0. La seua escriptura \u00e9s arriscada i demana al lector que s\u2019implique a fons per entendre i no perdre\u2019s en el laberint del seu univers.<\/p>\n\n\n\n<p><a href=\"http:\/\/calafat.cat\/index.php\/somnis-dultramar\/\" data-type=\"page\" data-id=\"1457\">Somnis d\u2019ultramar<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"50\" height=\"50\" src=\"http:\/\/calafat.cat\/wp-content\/uploads\/2022\/05\/51.jpeg\" alt=\"\" class=\"wp-image-2251\"\/><\/figure>\n\n\n\n<p>Isidre Mart\u00ednez Marzo \u00e9s un dels l\u00edrics valencians amb una personalitat m\u00e9s definida.<\/p>\n\n\n\n<p><a href=\"http:\/\/calafat.cat\/index.php\/viatge-al-centre-del-desconcert\/\" data-type=\"page\" data-id=\"1459\">Viatge al centre del desconcert<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"50\" height=\"37\" src=\"http:\/\/calafat.cat\/wp-content\/uploads\/2022\/05\/52.jpeg\" alt=\"\" class=\"wp-image-2252\"\/><\/figure>\n\n\n\n<p>La trilogia que Joan Francesc Mira (Val\u00e8ncia, 1939) dedica a la seua ciutat \u00e9s una empresa valenta per la intenci\u00f3 i per l\u2019estil exuberant, ac\u00ed volgudament assag\u00edstic. Com en les dues primeres, el substrat m\u00edtic i de refer\u00e8ncies recorre i sembra l\u2019obra.<\/p>\n\n\n\n<p><a href=\"http:\/\/calafat.cat\/index.php\/vides-en-ebullicio-2\/\" data-type=\"page\" data-id=\"2042\">Vides en ebullici\u00f3<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"50\" height=\"33\" src=\"http:\/\/calafat.cat\/wp-content\/uploads\/2022\/05\/49.jpeg\" alt=\"\" class=\"wp-image-2249\"\/><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p>Despr\u00e9s de la publicaci\u00f3 de t\u00edtols ben interessants, com la divertida farsa&nbsp;<em>La Divina Tramoia<\/em>&nbsp;i&nbsp;<em>Combat<\/em>, drama intens l\u2019esquin\u00e7ament de la personalitat i la lluita a ultran\u00e7a de l\u2019artista modern, i coincidint amb la representaci\u00f3 per a Barcelona de Sabates de tal\u00f3 alt, interpretada p<\/p>\n\n\n\n<p><a href=\"http:\/\/calafat.cat\/index.php\/visio-tumultuosa-de-barcelona\/\" data-type=\"page\" data-id=\"1463\">Visi\u00f3 tumultuosa de Barcelona<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"50\" height=\"50\" src=\"http:\/\/calafat.cat\/wp-content\/uploads\/2022\/05\/50.jpeg\" alt=\"\" class=\"wp-image-2250\"\/><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p>La relaci\u00f3 dels escriptors catalans i illencs amb Val\u00e8ncia \u00e9s sempre problem\u00e0tica i vacil\u00b7lant per les raons que els lectors saben de sobres. Per tant, la relaci\u00f3 amb el Pa\u00eds Valencia, quan n\u2019hi ha, se circumscriu a la intimitat i a la presencia puntual motivada per actes culturals.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>El buit com a est\u00edmul Francesc Bod\u00ed despr\u00e9s d\u2019Havanera, una novel\u00b7la plet\u00f2rica de literatura i aventures, aterra en el present.\u00a0El soroll de la resta\u00a0ens acosta a \u00c0lex Ballester, un publicitari d\u2019\u00e8xit. Un Entrevista a Manuel Molins: \u201cLa di-versi\u00f3 ens proporciona una altra versi\u00f3 de les coses\u201d A prop\u00f2sit del simposi sobre l&#8217;obra de Manuel Molins, &#8230; <a title=\"2008\" class=\"read-more\" href=\"https:\/\/calafat.cat\/index.php\/2008-3\/\" aria-label=\"M\u00e1s en 2008\">Leer m\u00e1s<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2162","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/calafat.cat\/index.php\/wp-json\/wp\/v2\/pages\/2162","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/calafat.cat\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/calafat.cat\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/calafat.cat\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/calafat.cat\/index.php\/wp-json\/wp\/v2\/comments?post=2162"}],"version-history":[{"count":6,"href":"https:\/\/calafat.cat\/index.php\/wp-json\/wp\/v2\/pages\/2162\/revisions"}],"predecessor-version":[{"id":3311,"href":"https:\/\/calafat.cat\/index.php\/wp-json\/wp\/v2\/pages\/2162\/revisions\/3311"}],"wp:attachment":[{"href":"https:\/\/calafat.cat\/index.php\/wp-json\/wp\/v2\/media?parent=2162"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}